In the beautiful culture of the state of Maharashtra lies an old little town called Paithan in Aurangabad. Wealthy in its cultural inheritance the small town holds a dominant tradition; that of churning out Paithani sarees which are identical to Maharashtrian or Marathi culture.
Named after the town accountable for its beginning the Paithani sarees are made from fine silk and are hand woven. They are careful to be the wealthiest sarees in all Maharashtra. These sarees are a magic in in gold and silk. They are a symbol of the intellectually refined toppers. The craft of weaving the saree was created around 200 B.C. and flourished. Ever since then the Paithani saree has become a favourite heirloom that is passed on from generation to generation. Since it is more often than not the formation of womenfolk the mother exchanges this heirloom on to her daughter. In the ancient times the Paithani saree was no less than a beautiful treasure and was paid for by the western travellers in gold and gems.
A true Paithani saree is marked by the borders of a square design having a pallu with a peacock. They are available in vivid colours and unreliable the weave achieves this effect. A specific colour is used for weaving lengthwise while the other is used width wise. The most speciality of Paithani lies in its pallu.
Regardless of the craft being centuries old the Paithani saree is still woven in the same traditional manner. It is created with acute caution as the silk threaded sticks are very fragile. This makes Paithani one such cloth that cannot be coordinated with any other fabric of its kind. The motifs on pallu can vary vastly from mangoes to peacocks and even lotuses. Many designs are also borrowed from the architecture of the Ajanta Cave. The making of a Paithani requires skilled labour and artisans having in-depth facts of the fabric its threads as well as its dyes. The time in use to create a Paithani can range from anything between two months to a year depending upon the pallu and the border.
The most common subject used as motivation for the embroidery were weddings. Because of which the Paithani was not only beautiful but also a vivid vision of silk and gold. The Paithani is a necessary part of the bride's dowry that was predictable to have learnt this skill at a tender age.
It is adorned by the women folk only on such particular instances. Brides are considered to be the all-rounders if they are well taught in the craft of embroidery of the Paithani in parts of Maharashtra where this handiwork is still viewed as a material of pride and prestige.
If you desire to adorn the Maharashtrian look then chunky jewelry with heavy pendants coupled with headgears kamarbundhs and clunky bracelets could improve the look. The centre on all these accessories will only add up if they are in gold and enhance the natural beauty of the Paithani.
It is recommended to dry clean the Paithani saree and remain away from sunlight which might damage its threads. The gold zari may get worn upon rough washing.
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